We don’t need another hero.
Thank you to Picador/Pan Macmillan for providing me with an e-copy of this book via NetGalley.
Shortlisted for the Women’s Prize for Fiction 2020
In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker.
This was never the story of one woman, or two. It was the story of all of them. ..
In the middle of the night, Creusa wakes to find her beloved Troy engulfed in flames. Ten seemingly endless years of brutal conflict between the Greeks and the Trojans are over, and the Greeks are victorious.
The devastating consequences of the Trojan War stretch from Mount Olympus to Mount Ida, from the citadel of Troy to the distant Greek islands, and across oceans and sky in between. These are the stories of the women embroiled in that legendary war and its terrible aftermath, as well as the feud and the fatal decisions that started it all. . .
Powerfully told from an all-female perspective, in A Thousand Ships Natalie Haynes gives voices to the women, girls and goddesses who, for so long, have been silent.
It’s interesting that the blurb mentions Madeline Miller and Pat Barker. I’ve read The Song of Achilles and Circe (both by Miller) and The Silence of the Girls by Barker. I enjoyed A Thousand Ships more than the Barker but didn’t love it as much as either of Miller’s books.
Barker’s The Silence of the Girls disappointed me because I’d hoped it would retell events from The Iliad from the perspective of the female characters. But halfway through the narrative we switch from the female characters’ viewpoints to Achilles’, and I didn’t think we needed yet another male view on events. Thankfully, Haynes doesn’t do this in A Thousand Ships. Instead, we get an entirely female perspective as we skip between the stories of various characters featured in The Iliad (and, to a lesser extent, The Odyssey), including goddesses.