A brave, if not entirely successful adaptation. 3/5 stars.
Thank you to Random House UK and Netgalley for giving me an e-copy of this book.
The blurb: He’s the best cop they’ve got.
When a drug bust turns into a bloodbath it’s up to Inspector Macbeth and his team to clean up the mess.
He’s also an ex-drug addict with a troubled past.
He’s rewarded for his success. Power. Money. Respect. They’re all within reach.
But a man like him won’t get to the top.
Plagued by hallucinations and paranoia, Macbeth starts to unravel. He’s convinced he won’t get what is rightfully his.
Unless he kills for it.
Last year I read Margaret Atwood’s Hag-Seed, a reimagining of The Tempest. This was my introduction to the Hogarth Shakespeare project for which several well-known authors have been invited to write adaptations of some of Shakespeare’s stories. When I saw Nesbø had written a version of Macbeth I thought it was a brilliant choice. He’s enjoyed great success writing dark stories and only an author good at wrangling darkness could successfully take on the Scottish play.
Like The Tempest, I also studied Macbeth at school, so I went into Nesbø’s adaption with fore-knowledge of what was going to happen. I’ll come back to whether this was a good thing or not later in my review.
There is a lot in Nesbø’s reimagining which is ingenious. How the characters and events of Shakepeare’s play are transposed into a 1970s’ police noir is clever and well thought-out. I was particularly impressed with how the author managed to incorporate the supernatural elements of the play into a realistic genre.
A bold reimagining of Shakespeare’s stormy tale of vengeance, forgiveness and the power of theatre. 4/5 stars.
The blurb: Hag-Seed is a re-visiting of Shakespeare’s play of magic and illusion, The Tempest, and is the fourth novel in the Hogarth Shakespeare series.
The Tempest is set on a remote island full of strange noises and creatures. Here, Prospero, the deposed Duke of Milan, plots to restore the fortunes of his daughter Miranda by using magic and illusion — starting with a storm that will bring Antonio, his treacherous brother, to him. All Prospero, the great sorcerer, needs to do is watch as the action he has set in train unfolds.
In Margaret Atwood’s ‘novel take’ on Shakespeare’s original, theatre director Felix has been unceremoniously ousted from his role as Artistic Director of the Makeshiweg Festival. When he lands a job teaching theatre in a prison, the possibility of revenge presents itself – and his cast find themselves taking part in an interactive and illusion-ridden version of The Tempest that will change their lives forever…
As part of the Hogarth Shakespeare project, Atwood is one of several authors invited to reimagine one of Shakespeare’s stories. Hag-Seed is Atwood’s take on one of the Bard’s last plays, The Tempest. If you’d like to know more about the other authors involved in the project and the stories they were asked to tackle (for example, Tracy Chevalier’s take on Othello), you can find out more here.
I studied The Tempest for 2 years at school and so it’s probably the Shakespeare play I know the best. This definitely influenced my enjoyment of Hag-Seed, which I’m not convinced you’d get a lot out of if you know nothing about the original play.