A brave, if not entirely successful adaptation. 3/5 stars.
Thank you to Random House UK and Netgalley for giving me an e-copy of this book.
The blurb: He’s the best cop they’ve got.
When a drug bust turns into a bloodbath it’s up to Inspector Macbeth and his team to clean up the mess.
He’s also an ex-drug addict with a troubled past.
He’s rewarded for his success. Power. Money. Respect. They’re all within reach.
But a man like him won’t get to the top.
Plagued by hallucinations and paranoia, Macbeth starts to unravel. He’s convinced he won’t get what is rightfully his.
Unless he kills for it.
Last year I read Margaret Atwood’s Hag-Seed, a reimagining of The Tempest. This was my introduction to the Hogarth Shakespeare project for which several well-known authors have been invited to write adaptations of some of Shakespeare’s stories. When I saw Nesbø had written a version of Macbeth I thought it was a brilliant choice. He’s enjoyed great success writing dark stories and only an author good at wrangling darkness could successfully take on the Scottish play.
Like The Tempest, I also studied Macbeth at school, so I went into Nesbø’s adaption with fore-knowledge of what was going to happen. I’ll come back to whether this was a good thing or not later in my review.
There is a lot in Nesbø’s reimagining which is ingenious. How the characters and events of Shakepeare’s play are transposed into a 1970s’ police noir is clever and well thought-out. I was particularly impressed with how the author managed to incorporate the supernatural elements of the play into a realistic genre.